We open in a tense psychological standoff- a controlled, spatial moment, an emotional assessment of a young man with learning difficulties- a first indication of the deep inner turmoil that can affect one’s ability to cope in today’s harsh socio-economic society if delivered of the wrong hand.


This was a strange one - a slow burning, dark, beautifully surreal psychological horror story of guilt and a yearning for redemption. A specialist surgeon strangely drawn to the son of a former patient whom we discover has recently died after a failed operation, denies corporate responsibility, yet cannot escape from his own conscience, the knowledge that he was the cause of the patient’s death.

“Look, a pillar of fire”, says the youthful Peter O’Toole in the title role, to which the reply comes, “No, Orense. It is dust”. Just one of many acutely observed exchanges in David Lean’s cinematic master work, Lawrence of Arabia, re-released in its restored 70mm print.

Moon Dogs ascribes to be a Celtic coming of age tale that sees a musically inspired teenager, Thor played by Christy O’Donnell struggling to come to terms with his father’s new invocation into a new family in the Shetland Islands. When his live music debut gig on a Celtic night fails he seizes the opportunity to run away to the mainland to find the mother who abandoned him as a youngster.

Far from a voyeuristic exploration of the theme, which was attempted in recent blockbusters, Luis Buñuel’s iconic film re-introduces an artistic vision of the infinite shades of female desire and sexuality to contemporary audiences, in its 50th anniversary 4k restoration.

First and foremost, any film with Francois Cluzet is worth a look. He is a fine movie actor from the top drawer -a Dustin Hoffman without the verbiage. His performances over the years genuinely grow in authenticity as he straddles each fluctuating zeitgeist. He represents us, the ordinary man or woman absorbing the pressure of a given circumstance until he breaks and is forced to act.  

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